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Nudos

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Simple and double knots, loose or strong, sailor’s, made of clothing or of hair. Joining knots and stifling knots... Through dance, the Andalusian company Da Te Danza questions over the knots we tie and untie through life, on the wounds which may or maynot close when we leave childhood to enter the adult world. A show of delicate atmosphere that will make young and adult think (and dream).

Molsa

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In Molsa dance, puppets and videoprojection combine together to tell children an emotional and tender story, a delicate tale about friendship. The protagonist, Goss Moss, relentlessly looks for her friend Janinka after the war has separated them. None of the obstacles that will happen to him in the process will make him give up and so Moss is prepared to run all the adventures in order to meet the girl again.

Almazuela (sota els llençols)

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Honest, poetic, imaginative, fun. This is Almazuela, a show for the first childhood that arouses the curiosity of the youngest public. A series of scenes taken from the world of dreams, a world of colors where there are cheerful flowering tree branches, a playful fence, cakes with buttons and casseroles that walk tiptoe. As, under the sheets, there hide fantastic stories that can only be seen when the night falls and the children fall asleep...

Pictures of an exhibition

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Quadres d’una exposició is a famous suite of fifteen pieces composed by Mússorgski to pay homage to Viktor Hartmann, architect, cartoonist and amateur painter, and intimate friend of the composer. The score is inspired by the posthumous exhibition of the works of Hartmann at the Imperial Academy of Arts of Saint Petersburg.

TRAMA

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It seems that all complex systems evolve from a few simple rules. This is the challenge that Roser López Espinosa poses here: put some simple rules and try to co-exist together. Going through structures that respond to the pattern of the numbers of the Fibonacci sequence, find the sound in the strings, explore the movement from recurring mechanical principles that begin in our hands: hold hands, hold each other, support each other, bond each other ...

Electra

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Antonio Ruz, with the collaboration of Olga Pericet, is the author and director of a show that recreates the myth of Electra, King Agamemnon’s daughter who takes revenge on the murder of her father and the usurpation of his throne. Ruz’s Electra is inspired on the popular image of a rural, deep and costumbrist Spain, conveying a human and sensorial experience in which movement, space, light, voice and music - run by the Symphonic Orchestra of Vallès- merge in a single unit.

Pixel

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We are in the digital era. We live surrounded by screens and exposed to an ongoing bombardment of images, visual creations that reproduce real, everyday events, but also imaginary universes and virtual realities. Fantastic images that Pixel puts at the service of live art. Ludic, lively, poetic, the show proposes a fast-paced dialogue between two worlds, the dance one and the interactive video one -Adrien M / Claire B-. A magical experience.

La piel vacía/The empty skin

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The skin, for a while, can be a cozy cabin, but also a prison. Through the skin we interact, but we cannot touch the interior, we cannot go through it. What does shape say about us? What is transparent in the skin? When our skin gets wrinkled, when the shape blurs, when it fades... what's left? These questions generate the dance of La piel vacía, articulated, technical, demanding, with a strong sense of form and dynamics, impulsive and implosive.

Quatre octaves i mitja / Four eights and a half

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Quatre octaves i mitja is a show that could be a concert which never gets to realize: an "oncert". Based on the biography of the American musician Jeff Buckley, a four-eighth-and-half-voice vocalist, choreographers make an entrance into issues such as melancholy, old age, death, love, chance, sadness and humor. The original texts, created by the two artists, and the lyrics of Alaska, Umberto Tozzi and Raphael, among others, poetically describe a fragmented universe full of sensations, forms and textures.

LIOV

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Two characters (or is it only one?) Faced on stage, spurred by the intimate conflicts that torment them: is it about living or surviving? To accept with resignation what is imposed or to rebel ? To turn your back on troubles or face them? LIOV reflects on the underlying duality in the human being, on the repression of emotions and on other forms of intellectual, emotional or physical aggression.

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